If you are in Milwaukee this Friday, January 9th, come down to Y-Not III (1854 E. Kennilworth Ave) for the Underground Music Vs. Film Tour presented by Slamdance.

The show will feature live music from Fat Beats recording artist Pseudo Slang and Brooklyn base band The Woes plus DJ sets by yours truly. The show is sponsored by Milwaukee Film.

More Dates on the Tour:

Dec 31 2008, 8pm at Goodbye Blue Monday in Brooklyn, New York
Jan 1 2009, 8pm at Valentine’s w/ Bryan Thomas in Albany, New York
Jan 2 2009, 8pm at Wright Gallery Records in Kingston, New York
Jan 3 2009, 9pm at Soundlab in Buffalo, New York
Jan 4 2009, 9pm at Howler’s Coyote Café in Pittsburgh, Pennsylvania
Jan 5 2009, 8:30pm at Cleveland Agora in Cleveland, Ohio
Jan 7 2009, 8pm at The Elbow Room w/ Jen Sygit and Sam Corbin in Ypsilanti, MI

Jan 8 2009, 8pm at Quenchers in Chicago, Illinois
Jan 9 2009, 8pm at Y Not III in Milwaukee, Wisconsin
Jan 10 2009, 8pm at The Jackpot Saloon in Lawrence, Kansas
Jan 15 2009, 10pm at Star Bar for Slamdance Housewarming Party in Park City, Utah

Jan 16 2009, 5pm at Slamdance Film Festival in Park City, Utah
Jan 17 2009, 5pm at Slamdance Film Festival in Park City, Utah
Jan 20 2009, 8pm at Burts Tiki Lounge in Albuquerque, New Mexico
Jan 23 2009, 8pm at Scoot Inn in Austin, Texas
Jan 25 2009, 8pm at Smith’s Olde Bar in Atlanta, Georgia
Jan 26 2009, 8pm at The Garage at Biltmore in Asheville, North Carolina
Jan 27 2009, 8pm at JJ’s Bohemia in Chattanooga, Tennessee
Jan 28 2009, 10pm at Acoustic Coffeehouse in Johnson City, Tennessee

About Slamdance:

As the preeminent festival whose sole mission is to nurture, support and showcase truly independent works, Slamdance has established a unique reputation for premiering new films by first-time writers and directors working within the creative confines of limited budgets.  Slamdance’s goal is to strengthen its year-round efforts in support of these artists and to leverage its name and reputation for the further development of other Slamdance media components.

As a year-round organization, Slamdance serves as a showcase for the discovery of new and emerging talent and is dedicated to the nurturing and development of new independent artists and their cinematic vision. 

Started in 1995 by a group of independent artists, the Slamdance Film Festival continues to be organized and programmed exclusively by filmmakers, for filmmakers.  This is just one of many elements that make Slamdance a pioneering standout among its festival counterparts. Slamdance lacks much of the red tape and bureaucracy that can convolute the process that independent creators come to festivals for in the first place – a chance to show their work. At Slamdance, the link between artist and festival – and, subsequently, artist and industry – is a direct and cohesive one. Slamdance alumni are recruited to serve as programmers, so first-timers are represented and assisted by Slamdance veterans.  It’s what put Slamdance on the festival map to begin with, and what’s made it the viable, big-time contender it is today. 

With its renowned film festival as its core, Slamdance has expanded its ventures to include the popular Slamdance.com website, writing competitions for features, shorts, teleplays and horror scripts; the Anarchy Online Short Film Competition; and a $99 Special short film production project.